Wednesday, March 20, 2013

AR7: Guy Denning


                                      Guy Denning - "Pornography for Plutocrats, 2013"


            Looking further into Guy Denning’s work, I decided to focus on the associations between his work and the sources of information that pertains to him as an artist. Denning’s commentary on society is often the subject in his interviews, as interviewers tend to look for a motive from his life experiences. On the other hand, reading articles on Denning’s solo exhibits; the authors often point out the artist sources of inspiration from books, movies, and articles. What I find to be more interesting is Denning’s personal views, he’s not afraid to speak his mind especially on his own website.
            Guy Denning’s latest series “Pornography for Plutocrats, 2013” makes a bold statement against the upper classes in our modern global economy. Denning originally intended to create a set of paintings so expensive that no one could ever afford it, but decided to make the three pieces in the series available to the public for free via download. The three separate images follow a set of instructions and a statement from the artist, who suggests the viewer to print them out and hang the images on their favorite wall. Here is a quote directly from Denning’s website: “If your very favourite wall happens to belong to your local high street bank then it will be up to you to explain your charitable wall-papering, as we all know that this kind of behaviour is very, very naughty and not at all to be promoted on the internet, twitter, facebook etc.” (Denning, guydenning.org). The statement goes much further as it explains how the three pieces in the series have no monetary value.
            Most articles label Denning as a controversial artist, because of the bold statements shown through his artwork. In “Occupy wall street (the sound of free speech), 2011”, Denning used newsprint to emphasize the element of the protest, and related it’s visual qualities with “the sound of free speech” using masking tape and dynamic lines to amplify “noise”. One wonders if the use of this particular newsprint page was intentional; could it add to the statement? The use of the classified ads may demonstrate the public’s need for more income.
            In his blog, Guy Denning talks about how the painting medium works for him All the time I am hoping for accidents with the paint as the accidents are usually the source of greatest productivity” (Denning, guydenning.blogspot.com).  He goes on to discuss what he calls “the uncontrolled intention”; I think a great example of what he referring to can be seen in “Requiem 2 (for the now forgotten), 2009”. I believe the accidents are the paint drippings that help obscure the subject into the canvas almost turning the canvas into a cement wall. Denning directs the emotive lines towards the drippings, which makes it feel as if the subject is actively fading away right before the viewer’s eyes. The artist’s use of these emotive lines and uncontrolled intentions are present in all of the discussed images.
Denning is able to utilize these techniques to make bold statements about our socio-economic-political conditions; he exploits social media to further express his views and to share his techniques, encouraging the current generation to be more aware of their social consciousness, and the things that affect their everyday life.



Discover more from Guy Denning: Denning's Youtube channel



Tuesday, March 19, 2013

AR6: Guy Denning



            In this response I will focus my attention on the artist Guy Denning. Denning’s work comments on today’s societal conditions, and his views sheds light on the influence of politics on current events. Denning makes it very clear that the commentary expressed in his work is his opinion, and that one doesn’t have to agree with his opinion to understand his work (Brian Sherwin, “Art Space Talk: Guy Denning”, Interview). Guy Denning is a highly skilled painter; his work evokes a strong emotional presence through his use of dramatic layering.
            In “Vanity Fair” (A piece in the set of “Five Eleven”, 2007) Denning focused on the human aspect of the tragic events that happened in September 11th, 2001. The formal elements are very dramatic; the strong diagonal lines of the towers shift the perspective, as if it were in a first-person point of view. The muted sky blends with the intensity of the bellowing smoke, further emphasizing the subject matter of the towers. The specks of debris are accompanied by a red smear across the affected target, humanizing the subject, spilling the blood from the towers. The intensity of the impact is shown through the subtle scratch marks on the canvas, which not only direct the debris but also add to the intensity through its dynamic properties.
            Some of these qualities are also present in Dennings’ “Cashing the Put Options” (A Piece in the set of “Five Eleven”, 2007), but the perspective is evenly aligned with the counteracting force of the airplane just before the moment of impact. It’s important to also consider the titles in these two pieces, as they seem to comment on capitalist greed. The subject in this perspective is not the towers but the height of the text that reads in French “histoire du guerre” meaning “History of War”.
The subject of war is also shown in Guy Dennings’ “Ch’io ‘l vidi omo di sangue e di crucci” (“I saw a man of blood and wrath” a piece in the set of “Dante’s Inferno”, 2011). In this seven-paneled painting, which is laid out in the form of a cross Denning references the story of Dante’s Inferno with modern warfare. The main subject dominating the top five panels are a military helicopter (Possibly a Comanche), and the secondary subject in the lower two panels is a deceased bird (Possibly a Sparrow). The two subjects are linked with paint drippings that seem to represent the effects of war, the loss of life and the disregard for innocence that man itself may deem insignificant. Denning’s use of texture through paint and scratch marks invites the viewer into the visual setting of a warzone; a very chaotic, and unpredictable reality.






-Images from: guydenning.org
-Guy Denning - Dante Project
-Brian Sherwin, “Art Space Talk: Guy Denning”, Interview